<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Musarthis Museum]]></title><description><![CDATA[Musarthis Museum]]></description><link>https://www.musarthis-museum.site/musarthis-museum-mag</link><generator>RSS for Node</generator><lastBuildDate>Mon, 13 Apr 2026 00:32:53 GMT</lastBuildDate><atom:link href="https://www.musarthis-museum.site/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[SIMONE BILES, THE SOVEREIGNTY OF THE MIND]]></title><description><![CDATA[Certain bodies move through history by transforming it from within. They redraw limits, reorganize expectations, shift the lines of the possible. That of Simone Biles embodies this rare intensity: a presence that elevates gravity to the level of writing, mastery to the level of language, integrity to the level of principle. Simone Biles’ trajectory goes beyond the realm of distinctions. A gymnast among the most decorated in history, she has expanded the technical possibilities of her...]]></description><link>https://www.musarthis-museum.site/post/simone-biles-the-sovereignty-of-the-mind</link><guid isPermaLink="false">69cfeead2a4608ae001fae7b</guid><pubDate>Sat, 04 Apr 2026 06:07:52 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_1e6670b12f8e45f4878635eb27ed8114~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Musarthis Museum</dc:creator></item><item><title><![CDATA[Tonéxie, a Foundational Philosophical Neologism]]></title><description><![CDATA[A semantic void called to be named.A vision remained insufficient to contain what the Musarthis constellation, as well as the Musarthis Museum, carry within. A reflection conducted over several years gave rise to a neologism, able to better express the universe of Arthésie and the Musarthis constellation: Tonéxie. Tonéxie — from the Greek totos and the Latin totus (totality), and from the Latin nexus (link, connection) — does not belong to existing approaches; it arises from a singular...]]></description><link>https://www.musarthis-museum.site/post/ton%C3%A9xie-a-foundational-philosophical-neologism</link><guid isPermaLink="false">69cfe19df7044e6cf7ab6be1</guid><pubDate>Fri, 03 Apr 2026 15:56:47 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_4c6389e2a27a47b8a41fea95b2b8ea31~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator></dc:creator></item><item><title><![CDATA[AGNITIA — From Duchamp’s Designation to an Elegant Equity]]></title><description><![CDATA[AGNITIA BOOK A work asserts itself through the intimate consistency of what it engages, through the composure of its presence, through that almost tangible intensity that surfaces when a true gaze lingers. Something takes place there, within a field more exacting than validation, more precise than adherence: a silent trial where eye, mind, and body enter into correspondence without mediation. Marcel Duchamp introduced a displacement whose effects still inhabit contemporary art. By extracting...]]></description><link>https://www.musarthis-museum.site/post/agnitia-from-duchamp-s-designation-to-an-elegant-equity</link><guid isPermaLink="false">69cd5c9f55ae1fb580a4cfbf</guid><pubDate>Wed, 01 Apr 2026 18:35:36 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_5cb821adc8b54fdf98d13ca6bce4019a~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator></dc:creator></item><item><title><![CDATA[WHY MUSARTHIS MUSEUM IS UNIQUE ]]></title><description><![CDATA[Museums, in their most widespread form, preserve, collect, present, and transmit. They offer encounters with works that belong to a recognized heritage. This mission holds value. It is, however, rooted in a long-standing structure, where works remain on one side and visitors on the other. Musarthis Museum proposes another configuration. Art does not stand as an end. It appears as a threshold. Musarthis Museum does not limit itself to presenting artefacts for contemplation; it opens passages...]]></description><link>https://www.musarthis-museum.site/post/why-musarthis-museum-is-unique</link><guid isPermaLink="false">69bfd8e66e2d8139248f1729</guid><pubDate>Sun, 22 Mar 2026 12:08:27 GMT</pubDate><enclosure url="http://video.wixstatic.com/video/10021d_8e9a08905f0d4f9392a7fe5d69d25b35/1080p/mp4/file.mp4" length="0" type="video"/><dc:creator></dc:creator></item><item><title><![CDATA[UNIQUE- UNIVERSAL- UNPRECEDENTED- UNBOUND]]></title><description><![CDATA[SOVEREIGN · UNBOUND · EXTRA-SYSTEMIC · HUMAN No network. No validation. No permission. A museum that does not belong to any system. At Musarthis Museum, ultimate elegance lies in the constitution of an artistic heritage that is both Swiss and universal, inclusive from its very foundation, and conceived to establish a truly equitable system from the outset. Its sovereignty  is not a posture; it is a real necessity . The museum is not connected to any established public structure or dominant...]]></description><link>https://www.musarthis-museum.site/post/unique-universal-unprecedented-unbound</link><guid isPermaLink="false">69bbbf021c9edf30004af4f4</guid><pubDate>Thu, 19 Mar 2026 12:07:55 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_a24d6d06cdc64a6a828db93613158f68~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Musarthis Museum</dc:creator></item><item><title><![CDATA[HARUKI MURAKAMI, THE TIMELESS]]></title><description><![CDATA[HARUKI MURAKAMI PORTRAIT Born in 1949 in Kyoto, Haruki Murakami grew up in Kobe within a literate family with a love for music. Passionate about jazz and Western literature, he studied theater at Waseda University before opening his own jazz club. Writing came to him in his thirties. The Japanese novelist explores themes such as solitude, dreams, and the strange in everyday life. Novels like A Wild Sheep Chase , Kafka on the Shore , and 1Q84  weave parallel worlds populated by surreal...]]></description><link>https://www.musarthis-museum.site/post/haruki-murakami-the-timeless</link><guid isPermaLink="false">69abeedc95f896866359cdbf</guid><pubDate>Sat, 07 Mar 2026 09:27:05 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_15eb1a914b0d4ed5b5b123e2818ea478~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Dianna D.</dc:creator></item><item><title><![CDATA[WHAT IS POETIC RESILIENCE ?]]></title><description><![CDATA[... At the Musarthis Museum, poetic resilience forms a path of repossession. Art, movement, practices of care, and human creativity converge in a shared inquiry: sustaining the capacity of the human being to inhabit existence fully, according to all the nuances of one’s uniqueness. This orientation permeates the entire museum. Works of art enter into dialogue with curatorial pathways; sensory explorations meet intellectual reflections; diverse forms of human experience—artistic, corporeal,...]]></description><link>https://www.musarthis-museum.site/post/what-is-poetic-resilience</link><guid isPermaLink="false">69ab6a2a95f896866358e823</guid><pubDate>Sat, 07 Mar 2026 00:03:10 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_93a2a58909f4479b93fbb0793e0dccdb~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Marlena Des</dc:creator></item><item><title><![CDATA[HENRI DUNANT: THE NOBILITY OF REDEMPTION]]></title><description><![CDATA[Henri Dunant Henri Dunant was 21 years old when, in 1849 , he entered the world of finance. At the same time, the young man was deeply committed to religion, driven by a strong attachment to Protestantism. This commitment entailed certain obligations, among them the fight against poverty—particularly that of his own people. Together with several Swiss personalities, he founded a company in 1853  whose aim was to rescue Swiss citizens from poverty by colonizing 20,000 hectares on the edge of...]]></description><link>https://www.musarthis-museum.site/post/henri-dunant-the-nobility-of-redemption</link><guid isPermaLink="false">69ab2e17b5dd05873349dff8</guid><pubDate>Fri, 06 Mar 2026 20:26:00 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_4518eb2187a543088937f848e3b45f94~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Chris Jean</dc:creator></item><item><title><![CDATA[SPOTLIGHT ON AMANDA ANISIMOVA]]></title><description><![CDATA[AMANDA  ANISIMOVA  CC 6–0, 6–0! That was the historic score that concluded the 2025 Wimbledon final. The Polish player Iga Swiatek inflicted a crushing defeat on the American Amanda Anisimova. Such a scenario had occurred only once before in the history of the Grand Slams: in 1988, Steffi Graf defeated Natasha Zvereva 6–0, 6–0 in the final of French Open. Iga Swiatek, as any knowledgeable observer knows, is one of the most dominant champions of recent years. At only 24 years old, the world...]]></description><link>https://www.musarthis-museum.site/post/spotlight-on-amanda-anisimova</link><guid isPermaLink="false">69ab23c6d66894c6d6f444a2</guid><pubDate>Fri, 06 Mar 2026 19:03:47 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/10021d_1f12be6e19f04863b055389f3504be79~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Chris Jean</dc:creator></item></channel></rss>